The boy falls into a hole The moment he closes his eyes A place he will keep running Towards the exit only to never ever reach it So he sits and stares All day long... eyes wide, shut.
Tempo: NA Colour: Black
An experimental sound piece using sampling of faulty cables, faulty electronics with faulty connections; microphone feedbacks; KORG Electribe AMKII, Reaktor 5, Humbucker.
This afternoon I plug the power in my BR532 digital 4track machine. Time has passed since the last use... And I play with the scrub tool, something that is intended to find passages in a song, but used here as a sort of sequencer input (the jog wheel is very pleasant). Only BR532 with an old track recorded by me, almost only guitar part is used. The track was not one of my favorites. I recorded this experimentation with my voice Olympus WS320M recorder. Reverb is done by the BR532.
This "thing" is not supposed to be really a song, but is part of the experiments I like to make, so part of the CommonTones. Please just consider it as an andecdotic interlude. An industrial one ;-) It's me taking at the beginning what I have written here.
This week-end, I installed FL-Studio on the 2nd computer of my mother. So I had only the samples and instruments provided with FL. I used bass and choir samples, plus Simsynth analog emulation, I explored a bit the possibilities of granular synthesis to make the choir voice cry. Bass part uses random to select the notes I chose, tweaked a bit and give preferences to some ones. Minimum dramatic effect at the beginning.
One being just the guitar track. One having a drum track mixed in. The drum track was badly mixed A song a day, that's the deal. If only I had more time...
Delirium is a luxury like the calm before a storm Like the laughters before tears And the adrenaline rush before collapsing Living an oxymoron...
Tempo: 73 bpm Colour: Multi-colour
A mini Hungarian citera, a toy piano and a chinese gourd flute; contact microphone...
Sampled using KORG Kaoss Pad and passed through an interesting reverb that makes it sound metallic (I believe is very long early reflection). The percussion was done again by slapping the rhythms on the lid of the toy piano, and clapping of hands. No synths or any other electronic instruments were used at all except for processing using KP3, all acoustics. The recorded samples were manipulated later during post and some subliminal sound designs.
In the garden, layed down on grass, with fresh air. As simple as it could seems it's not a feeling so much expressed in music.
For this tune, I just use my guitar plugged into the PC thru my old FOSTEX analog mixer and recorded and looped with Ambiloop (wonderful looper, controllable by MIDI, and freeware !). Then I mixed on FL-Studio "live" with knobs.
An instrumental piece, nothing experimental about it. Just exploiting the Casio SA-5. A bit slightly over ambitious to want to do it in one night. But this one comes from the bottom of my heart.
Casio SA-5 being the main player for most of the sounds you hear in it, sampled through KORG Kaoss Pad III. It's a battery powered toy keyboard so bear with the high level of noise and bad quality... I backed the bass up, also did the high ringing ambient with modulation (somewhere in the middle) and a guitar track with KORG Radias (but minimal)... the rest are all Casio SA-5 and a lot a lot of touching up and plug-ins used.
Picture taken at my favourite tree at TFP Cairn Hill Rise.
No beginning, no end. One note or another, very few preferences. An approach to ambient non-intrusive music. It could last 4 minutes or 1 hour. A first real attempt at making live experimentation with electronic gear.
M-AUDIO Trigger Finger used to arrange the track "live", a premiere for me. I understand now that is not as easy as it seems when I see Kraftwerk "live", though they are almost just turning knobs, sliders, and playing some notes, plus singing vocals.
Continuing my explorations using toy instruments...
Toy piano, contact microphone, Casio SA-5 toy keyboard, sampled through KORG Kaoss Pad III; no other synths used. Percussion done by hitting the lid of the toy piano, the clicky noise from the start is done by tapping the toy piano's lid with the fingernails and grained through KP3. Added a little sound design as well to add on to the mood.
The boy looked into the mirror and saw an old man The old man smiled at him as he smiled back... Their palms met and the old man looked into his eyes With an acceptance that made the boy happy again...
Tempo: 60 bpm Colour: Yellow
With all my regular gears at rehearsals, I am left with bare minimal at home. I wanted to see what I can come up with using just very primitive instruments.
A toy piano, a contact microphone, sampled on KORG Kaoss Pad III and grained, Roland SH101. Recorded live, except drums added later using Reaktor 5 and layering the toy piano samples, pitching them down and reversing them at parts.
Three musicians... three individuals from different backgrounds, cultures and geographical locations...
They exist in different time and space but they share one common belief - to make music from their heart. This is where cultures, voices and minds concoct to serve only artistic expressions.
Welcome to Phase I of COMMONTONES - Concert For Drifting Ghosts. In phase I of this project, the trio will be composing and improvising music or sounds on a daily basis so that there will be a new piece loaded up daily. There is no fixed theme or concept, only honesty, fun and explorations. Anything goes... from music to a sound, a simple tune, a riff, a groove to noises and silences. We may even choose to add on to a track added by either one of us. From using electronics to acoustic instruments or a mix of it... there are no rules, no restrictions. This is a virtual space where all differences can co-exist, only to express what is in the heart using a common language - music and sounds. Phase I will last for the month of May 2007.
COMMONTONES is a collaboration effort by Eric Saliege [FRANCE], LDT [BANGKOK THAILAND] and Sonicbrat [SINGAPORE]. The blog host their online collaborations in music and sound creations where space and time is not a factor.
Welcome strangers and drifters on the net to COMMONTONES. Over here, cultures, languages and differences don't matter, only music, sounds and expressions. This online project is jointly created by Eric Saliege, LDT and Sonicbrat. Coming from different countries, backgrounds and cultures, this is the place where they make music to their hearts' content. Over time, we will be collaborating on different projects here. Do keep coming back to check on us and share our joy in making music and sounds.
Disclaimer: All music copyrights belong to the respective composers of the individual pieces. The music featured on this site must not be used by other parties without the consent of the composers.